The first thing that stand out in this period[c.700-c.1050 AD] is the inferiority of western Europe to its Greek and Moslem neighbours... The West was the poor relation of Byzantium, making, after the manner of poor relations, strident claims to a superiority which were derisory by any objective test. Similarly with Islam.
R.W. Southern(1912-2001): Western Society and the Church in the Middle Ages(1978[1970]), sivu 27.
tiistaina, kesäkuuta 29, 2004
- Aih! Aih! Miksi sinä lyöt minua? huusi Trurl kyyristellen.
- Se tuottaa minulle iloa, vastasi Klapausius sorkkarautaansa heiluttaen.
- Voisit itsekin joskus kokeilla sitä.
Ja hän iski Trurlia päähän niin että se kumahti kuin rumpu.
Lucky Strike toteutti 1930-luvulla menestyksekkään mainoskampanjan,
joka yhdisti tupakoimisen laihtumiseen:"Reach for a Lucky instead of a sweet!" (ota Lucky, älä karamellia!)
Douglas Kellner(1943-): Mediakulttuuri(1998; Media Culture. Cultural studies, identity and politics between the modern and the postmodern, 1995), sivu 285.
By 1995, and especially owing to the Enola Gay fracas,
the words "interpretation", "reinterpretation" and
"revisionism" had become tainted in the [American] public mind - mysterious activities that museums and
historians undertake that must surely be manipulative,
perverse, and highly subjective. Revisionism sounded
suspiciously and unreliably Marxist...
Michael Kammen(1936-): American Culture, American Tastes.
Social Change and the 20th Century(1999), sivu 237.
...William Dean Howell´s observation that
"What the American public always wants is
tragedy with a happy ending."
Michael Kammen(1936-): American Culture,
American Tastes. Social Change and the
20th Century(1999), sivu 225.
On arvioitu, että vuosina 1939-41 tuotetuista 1102
amerikkalaisesta näytelmäelokuvasta vain 6,8%
käsitteli Euroopassa käytävää sotaa, ja silloinkin
oli usein kyse ensimmäisestä maailmansodasta.
Kari Kallioniemi&Hannu Salmi:Porvariskodista maailmankylään.
Populaarikulttuurin historiaa(1995), sivu 117.
"Barrett does not accept responsibility for his
actions. He hides behind his position in the
company, and his position in the company is all
he is. In the camp, there were many like him,
people who told themselves that they must do
terrible things to the prisoners because their
superiors demanded it, people who refused to
see that they were doing these things out of
fear and denial. Those people, they made
themselves monsters, and I think Barrett is
that kind of monster. He will commit murder
rather than risk doing something that might
endanger his status, and he will tell himself
it is for the good of the company."
Paul J. McAuley(1955-):The Passenger(2002), teoksessaGardner Dozois(1947-)(toim.):The Mammoth Book of Best New
Science Fiction. 16 Annual Collection(2003), sivu 89.
maanantaina, kesäkuuta 07, 2004
With magic, you can turn frog into a prince.
With science, you can turn a frog into a Ph.D
and you still have the frog you started with.
Terry Pratchett(1948-)&Ian Stewart(1945-)&Jack Cohen(1933-):The
Science of Discworld(2002), sivut 10-11.
...maailmaa ei pelasta enää
sen enempi kasvu kuin armokaan.
Pekka Kejonen(1941-): Walkman, minä se olen.
Runoja(2004), sivu 51.
Raha haisee vain valmistusvaiheessa.
Pekka Kejonen(1941-): Walkman, minä se olen.
Runoja(2004), sivu 51.
Visionaries are apt to speak in strange tongues,
difficult to interpret; a striking common feature
of many - though mercifully not all - of the great
founding figures of planning is their incoherence.
Their primitive disciples, all too anxious to
undertake the task, may create a gospel at variance with the original texts... The cultural and social
world they inhabited, which provided the essential material for their perceptions, has long since
vanished and is difficult to reconstruct: the past is a foreign country, with a different language, different social mores, and a different view of the
human condition.
Peter Hall(1932-):Cities of Tomorrow. An Intellectual History
of Urban Planning and Design in the Twentieth Century.
Updated Edition(2001), sivu 4.
To spend millions of dollars to live suspended in
midair above fire-prone vegetation on soil with
only the most tenuous commintment to remaining in
place, all within a few dozen miles of the San
Andreas Fault, would seem to make no sense at all...
The sight of such a landscape each time you step out your front door is a reminder what it means to
be alive - even if that reminder ultimately kills you...
They presumably have at least some inkling of the
attendant dangers, though it is surprisingly easy to
forget the quakes and the fires and the mud while
gazing out on the intoxicating blue of the Pacific.
Why do they do it? They put themselves and their
families at risk for the simple reason that they
want to be close to nature.
William Cronon(1954-)(ed.):Uncommon Ground.Rethinking
the Human Place in Nature(1996), sivut 31-32.
During [proto mass culture], taste was heavily
determined by means of finite resources, whereas
the ethos of possession in [mass culture] made
it commonplace to own more than one actually
needed as well as more than one could afford.
Michael Kammen(1936-): American Culture, American Tastes.
Social Change and the 20th Century(1999), sivu 49.
lauantaina, toukokuuta 22, 2004
Now we say that everything Lenin taught us
of communism was false, and everything he
taught us of capitalism, true.
William Gibson(1948-):Pattern recognition(2003), sivu 303.
tiistaina, toukokuuta 18, 2004
Ihmisen ikä on tuskin sataa vuotta,
kaiken aikaa hän silti tuntee
tuhannen vuoden huolet.
Pertti Nieminen(1929-): Sinusta erossa. Kiinalaisia
kansanlauluja kahdentuhannen vuoden takaa(1984), sivu 42. Katkelma runosta Läntinen portti.
maanantaina, toukokuuta 17, 2004
The fact that one can reduce whole genres
of fiction to fairly simple formulas seems
to most literary critics to be a blanket
certificate of worthlessness.
Brian Stableford(1948-):The Way to Write
Science Fiction(1989), sivu 67.
Erikoistumattomuutta kutsutaan usein alkeellisuudeksi.
Juha Valste(1945-): Apinasta ihmiseksi(2004), sivu 23.
Indeed, the attempt to foist upon people who
are supposedly living two hundred tears from
now the foibles, verbal habits and moral outlooks
of the present day is rather absurd. There
are no characters in fiction who seem more
ridiculous to us than the ones which writers
of the nineteenth century invented to populate
their visions of our times.
Brian Stableford(1948-):The Way to Write
Science Fiction(1989), sivu 61.
Knowing what someone is like is a matter of
knowing how they relate to their environment;
we can quickly get a sense of the particular
personality of a fictitious character if we
can observe his or her idiosyncratic response
to a situation which we already understand in
terms of norms and customs.
Brian Stableford(1948-):The Way to Write
Science Fiction(1989, sivu 60.